I have several examples of storyboards from various Japanese animation directors. All of them are in continuity script that consists of 500-600 pages each. Some of them are rough color sketches. According to Peter Chung, Japanese animation directors do complete storyboard by themselves. Of course, we do come across team storyboarding like Tekkon Kinkreet. How does Japanese storyboarding differ from American counterpart?
Please help.

I didn't find the right solution from the Internet.

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